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FEATURED
Vee Saieh: Unveiling the Magic Behind “Magdalena”
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The School for Good and Evil review – Netflix’s Harry Potter...
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Broadway glitz: Funny Girl’s Lea Michele shines
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‘Unlike anything you’ve ever played’: Immortality, the three-movie video game
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A monster calls: why the “horror universe” is a concept whose...
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Barbara Chase-Riboud: “The culture war has nothing to do with culture”
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Alvvays’ Molly Rankin: ‘We drive others crazy with our wants’
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Park Chan-wook: “We must accept our society’s illness”
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Viola Davis on stereotypes, achievement, and portraying a warrior
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James Bond at 60: Britain’s greatest cultural export is poised for...
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Jimmy Kimmel: ‘Exciting news for everyone except the Space Force’
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Artist fights Bolsonaro with animal costumes
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The vacuous feminism of Don’t Worry Darling
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No Celebs, Red Carpet, or TV Program in Golden Globes 2022
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Ami Faku Performed the Break-up Song I Listened to on Repeat...
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Why Techno Music and The Matrix Go Together
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These Are the Greatest Photography Books of 2021
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The Matrix Resurrections: Crazy Graphics, Love Narrative, and Big Revelation
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‘The Price of Celebrity Is Tremendous,’ Says Debbie Gibson. Therapist on...
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Why Predator 2 Isn’t a Terrible Movie
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Review of The Survivors by Alex Schulman
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‘People Say I’m in Everything and Sick of Seeing Me!’
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The Strange Billion-Dollar Demise of LuLaRoe
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First Publication of a New Tennessee Williams Tale
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Karolyn Carnie on Power, Responsibility, and Screenplays
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All the Right Notes: An Interview with Jazz Drummer Yunus Belgin
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Bettering the B-Movie Business: an Interview with Hayley J. Williams
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Early-Onset Signs of Chronic Assholery
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Anne Poloyapoy and the Persistent Relevance of Ballroom Dance
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America’s Cartoon Graveyard: Why the Simpsons and Family Guy Need to...
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‘God’s Favorite Customer’: Father John Misty Heads Back to His Comfort...
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Rant: We Owe Kanye Nothing
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A Cult of Failure: The Persistence of Good-Bad Movie Fandom
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Jack White’s ‘Boarding House Reach’ and the Elephant NOT in the...
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Your New Favorite Band, Vol. 2: Lomelda
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Stirring Up Soundtracks for Drama Romance and Comedy
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Superhero Fatigue Postponed Indefinitely
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Orchestrating Perceptual Transformation: an Interview with Joris Hoogsteder
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The Persistence of Pop-Punk, My Guiltiest Guilty Pleasure
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Looking Back on the film ‘Heavy Metal’
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Lucy Dacus, Young and Worthy of Our Attention
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Jazz is Dead and That’s Probably OK: a Personal Odyssey in...
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The Shape of Water’s Powerful Non-Verbal Communication Speaks Volumes
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Give Us The Goon: Why a Beloved Cult Character Is Having...