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Jimmy Kimmel: ‘Exciting news for everyone except the Space Force’
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The vacuous feminism of Don’t Worry Darling
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Living Review – Bill Nighy Confronts Life and Death
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No Celebs, Red Carpet, or TV Program in Golden Globes 2022
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Spider-Man Must Save Marvel Studios, Inc.
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Why Predator 2 Isn’t a Terrible Movie
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‘God’s Favorite Customer’: Father John Misty Heads Back to His Comfort...
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Rant: We Owe Kanye Nothing
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A Cult of Failure: The Persistence of Good-Bad Movie Fandom
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Han Solo and the Race Against Franchise Fatigue
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Jack White’s ‘Boarding House Reach’ and the Elephant NOT in the...
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Your New Favorite Band, Vol. 2: Lomelda
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Stirring Up Soundtracks for Drama Romance and Comedy
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Superhero Fatigue Postponed Indefinitely
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The Persistence of Pop-Punk, My Guiltiest Guilty Pleasure
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Seeing Film Through a New Lense: an Interview with Laura Franco
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Being a Film Editor in the 21st Century: an Interview with...
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Looking Back on the film ‘Heavy Metal’
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Lucy Dacus, Young and Worthy of Our Attention
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Jazz is Dead and That’s Probably OK: a Personal Odyssey in...
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From Flamenco to Film: an Interview with Jonathan Lee
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The Shape of Water’s Powerful Non-Verbal Communication Speaks Volumes
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Give Us The Goon: Why a Beloved Cult Character Is Having...
