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MUSIC
Chicken & Biscuits Review: A Flop on Broadway
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Reaction to Jesy Nelson’s Critique of Boyz
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Arswain on his Latest Project and Beyond
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Exploring Lucrative Songwriting Jobs in the Music Industry
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How Has Pop Music Changed Over Time? (Feat. Feature Culture)
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Weird Cheap Instruments for Casuals and Professionals
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Lorenzo Carrano Talks to Us About Movie and Game Music
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Jazz Guitar Extraordinaire on His Musical Beginnings
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Gaming and Film Composer Sumeet Sarkar on Working for the Life...
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Interview: Eduardo Garcia Rascon on Composing for Edutainment
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Interview: Jazz Pianist Jorge Maldonado Talks Jazz, Performing, and Composing for...
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Giovanni Giusti and the Hard-Won Survival of Jazz
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It Takes a Village: Bass Savant Ole Kirkeng on Collective Music-Making
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An Interview with Composer and Super-Producer Oleg Smirnov
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Farrokh Shroff on Making Traditional Cultural Music Modern
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From Rio to Rodeo DR: How Pedro Calloni Made Himself a...
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All the Right Notes: An Interview with Jazz Drummer Yunus Belgin
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Nicolas Salinardi and the Joy of Movie Music
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Anne Poloyapoy and the Persistent Relevance of Ballroom Dance
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Your Summer Soundtrack: Caravelle
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Fred Oliveira Gives Insights Into One of Hollywood’s Most Important/Most Thankless...
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‘God’s Favorite Customer’: Father John Misty Heads Back to His Comfort...
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Same Lens, but a Fresh Approach: an Interview with Zac Chia
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Rant: We Owe Kanye Nothing
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Jack White’s ‘Boarding House Reach’ and the Elephant NOT in the...
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Your New Favorite Band, Vol. 2: Lomelda
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Stirring Up Soundtracks for Drama Romance and Comedy
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Orchestrating Perceptual Transformation: an Interview with Joris Hoogsteder
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The Persistence of Pop-Punk, My Guiltiest Guilty Pleasure
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Your New Favorite #1 Band: Ween
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Being a Film Editor in the 21st Century: an Interview with...
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Looking Back on the film ‘Heavy Metal’
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Lucy Dacus, Young and Worthy of Our Attention
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Jazz is Dead and That’s Probably OK: a Personal Odyssey in...
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From Flamenco to Film: an Interview with Jonathan Lee
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Car Seat Headrest and the DIY Generation Conundrum
