MUSIC

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Cardi B Wins Libel Action Against Gossip Blogger for Over £1m

Sorcery and Showmanship Merged in Meat Loaf’s Performance

Tamara Rojo Steps Down as Creative Director of the English National...

Ami Faku Performed the Break-up Song I Listened to on Repeat...

Why Techno Music and The Matrix Go Together

AJ Odudu and Kai Widdrington Withdraw from Finals

Why Adele Is Coming to Vegas

Chicken & Biscuits Review: A Flop on Broadway

Reaction to Jesy Nelson’s Critique of Boyz

how to make money streaming on Twitch

Arswain on his Latest Project and Beyond

songwriting jobs in the music industry

Exploring Lucrative Songwriting Jobs in the Music Industry

How Has Pop Music Changed Over Time? (Feat. Feature Culture)

weird cheap instruments

Weird Cheap Instruments for Casuals and Professionals

Lorenzo Carrano Talks to Us About Movie and Game Music

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Jazz Guitar Extraordinaire on His Musical Beginnings

Gaming and Film Composer Sumeet Sarkar on Working for the Life...

Interview: Eduardo Garcia Rascon on Composing for Edutainment

Interview: Jazz Pianist Jorge Maldonado Talks Jazz, Performing, and Composing for...

Giovanni Giusti and the Hard-Won Survival of Jazz

It Takes a Village: Bass Savant Ole Kirkeng on Collective Music-Making

An Interview with Composer and Super-Producer Oleg Smirnov

Farrokh Shroff on Making Traditional Cultural Music Modern

From Rio to Rodeo DR: How Pedro Calloni Made Himself a...

All the Right Notes: An Interview with Jazz Drummer Yunus Belgin

Nicolas Salinardi and the Joy of Movie Music

Anne Poloyapoy and the Persistent Relevance of Ballroom Dance

Your Summer Soundtrack: Caravelle

Fred Oliveira Gives Insights Into One of Hollywood’s Most Important/Most Thankless...

‘God’s Favorite Customer’: Father John Misty Heads Back to His Comfort...

Same Lens, but a Fresh Approach: an Interview with Zac Chia

Rant: We Owe Kanye Nothing

Jack White’s ‘Boarding House Reach’ and the Elephant NOT in the...

Your New Favorite Band, Vol. 2: Lomelda

Stirring Up Soundtracks for Drama Romance and Comedy

Orchestrating Perceptual Transformation: an Interview with Joris Hoogsteder

The Persistence of Pop-Punk, My Guiltiest Guilty Pleasure

Your New Favorite #1 Band: Ween

Being a Film Editor in the 21st Century: an Interview with...

Looking Back on the film ‘Heavy Metal’

Lucy Dacus, Young and Worthy of Our Attention

Jazz is Dead and That’s Probably OK: a Personal Odyssey in...

From Flamenco to Film: an Interview with Jonathan Lee

Car Seat Headrest and the DIY Generation Conundrum